I'm Youness Hamdoune and I'm sound designer,mixer and a dialogue editor . I studied sound at Esav Marrakech, Morocco and at Filmakademie Ludwigsburg, Germany,after that ...
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I'm Youness Hamdoune and I'm sound designer,mixer and a dialogue editor . I studied sound at Esav Marrakech, Morocco and at Filmakademie Ludwigsburg, Germany,after that ...
See MoreJust a chill guy who's obsessed with music and loves to write copy...
See MoreI am a passionate filmmaker with extensive experience in videography, editing, and colour grading. With my keen attention to detail and creative approach, I have successf...
See MoreHi, I'm RƏÐŒ, a passionate Music Producer and Audio Editor with over five years of experience in the music production industry. I specialize in audio post-production and ...
See MoreHi, I'm Naz Ne, a creative and detail-oriented video editor . With a year of experience in producing high-quality content for marketing agencies and product companies, I ...
See MoreReady To Elevate Your Content ? 🚀 Contact me
See MoreBased in Casablanca, Morocco, Tytaan is a versatile music producer and composer specializing in R&B and Hip Hop. With over 10 years of experience in the industry, Tytaan ...
See MoreIf you're looking for a video editor who understands how to make automotive content look premium, engaging, and built for social media — you're in the right place. I’m...
See MoreJe suis Khalid Smaali, ingénieur du son polyvalent avec plus de 14 ans d’expérience, alliant la sonorisation live (concerts, festivals et événements culturels) et la post...
See MoreI am a MA-trained post-production editor with a full editorial stack — Avid Media Composer, Premiere Pro, DaVinci Resolve, and Pro Tools. I thrive in high-volume, deadlin...
See MoreAudio & film student based in Morocco. I work on short films, sound recording, sound editing and mixing, and small creative projects. Open to collaborations and freelance...
See MoreHello, I'm Amine El Mjaiche, a passionate video editor and audiovisual technician based in Casablanca. Over the years, I have refined my skills in visual editing, sound e...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
DH14,000 – DH37,000
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for managing and manipulating audio elements in film, television, and other media. Their role involves syncing audio with visuals, selecting sound effects, and adjusting audio levels to create a polished final product. They also collaborate with directors and other post-production staff to ensure the sound complements the narrative. Key tasks include:
Ultimately, a Sound Editor's work enhances the viewer's experience, making it crucial in storytelling through sound.
Exceptional Sound Editors possess a unique blend of technical skills and creative insight. They have a keen ear for detail, enabling them to identify subtle audio issues that may affect the overall quality of a project. Strong communication skills are also vital, as they must collaborate effectively with directors and other team members. Additionally, they demonstrate adaptability, easily transitioning between different genres and styles. A solid understanding of audio technology and software is essential, along with a passion for storytelling through sound. Ultimately, their commitment to excellence and continuous improvement distinguishes them in the field.
Typical day rates for Sound Editors in Morocco vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To identify the perfect Sound Editor in Morocco, start by reviewing their portfolio and past work. Look for experience relevant to your specific project needs, whether it's film, advertising, or music. Pay attention to their ability to showcase a variety of styles and techniques. Additionally, consider their communication skills during initial interactions; a good Sound Editor should be responsive and open to feedback. Client reviews and testimonials can provide insight into their professionalism and reliability. Finally, trust your instincts—choose someone whose vision aligns with your project goals and who demonstrates a genuine passion for sound editing.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you gauge their expertise, communication style, and ability to meet your project requirements.
Hiring a Sound Editor in Morocco involves several steps to ensure you find the right fit for your project. Begin by defining your project needs, including the genre and scope of your work. Next, utilize platforms like Twine to post your job listing, specifying your budget and timeline. Networking within local film and media communities can also yield recommendations for skilled professionals. Finally, review candidates’ portfolios to gauge their style and expertise, and conduct interviews to assess their fit with your project goals.
Hiring a freelance Sound Editor offers flexibility, direct communication, and often lower costs compared to working with an agency. Freelancers typically have a wide range of skills and can adapt to various project needs. However, agencies provide a team of professionals, ensuring more resources and a broader skillset for larger projects. Agencies may also offer project management services, which can alleviate some of your workload. Ultimately, the choice depends on your project's complexity, budget, and your preference for direct collaboration versus a structured approach.
A comprehensive project brief for a Sound Editor should include the following elements:
Providing a detailed brief helps attract suitable candidates and sets clear expectations from the outset.
Hiring on Twine is simple.
Post your project and meet your expert within 24 hours. Over 45,000+ high growth companies that trust Twine.