I’m Daniel Londono G., a sound designer and audio engineer based in Denver, focused on immersive, spatial audio for XR and multimedia With a decade of experience across ...
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I’m Daniel Londono G., a sound designer and audio engineer based in Denver, focused on immersive, spatial audio for XR and multimedia With a decade of experience across ...
See MoreI'm a video editor and media professional with hands-on experience producing and editing content for branded media, events, social platforms, and client storytelling. I t...
See MoreI am a multi-disciplinary audio professional with decades of experience in voiceover, imaging, and audio production. I own Underhill Audio Productions, where I craft imme...
See MoreI am a driven, organized, and passionate creative who's eager to employ my varied skillset in any situation you throw me into. - 50 articles written over the last 2 yea...
See MoreI’m Amy and I’ve received a Bachelor’s Degree in Recording Arts and Film & Television. I own a business where I mix Music, Audiobooks and Films called Aimster Beats LLC. ...
See MoreAn award-winning producer and marketing professional with ten years of experience in storytelling, digital media relations, and event production. Driven by a passion for ...
See MoreI am a cinematographer and video editor with three years of industry experience. I have extensive knowledge of various camera brands and video codecs and am proficient in...
See MoreWith over 7 years of expertise in music composition and film audio Jacques specializes in both on-location and studio work. He has successfully contributed to a wide a...
See MoreI am a producer, editor, and videographer with a passion for cinematic storytelling and practical production solutions. I work across marketing, advertising, training, do...
See MoreHello there! My name is Joey and I’m a freelance audio professional. Sound is a lifelong passion for me. I’ve mixed live bands, sports broadcasts, news broadcasts, design...
See MoreHi, I’m Aldyn Page, an audio engineer with hands-on experience in high-pressure live sound and studio environments. I’m easy to work with, dependable, and I bring a calm,...
See MoreDigital content producer with a decade of experince in Television, New Media, Podcasts and Journalism.
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
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Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
$5,000 – $13,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating and enhancing audio recordings that are used in film, television, video games, and other media. Their tasks include editing dialogue, adding sound effects, and mixing audio tracks to create a cohesive sound experience. They work closely with directors and sound designers to ensure that the audio aligns with the artistic vision of the project. Sound Editors also use various software tools to achieve high-quality sound that engages the audience and enhances storytelling.
Exceptional Sound Editors possess a mix of technical skills and creative insight. They have a deep understanding of sound design principles and are proficient with audio editing software. Additionally, they exhibit strong attention to detail, allowing them to identify and fix issues in audio tracks. Exceptional communicators, they collaborate effectively with other team members. Lastly, they have a passion for storytelling, ensuring that the sound enhances the narrative and emotional impact of the project.
Typical day rates for Sound Editors in United States vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your needs, consider their portfolio and past work to ensure their style aligns with your project. Look for testimonials and reviews from previous clients to gauge reliability and professionalism. During interviews, assess their communication skills and ability to understand your project's vision. Additionally, ask about their experience in similar projects to determine if they can meet your specific requirements effectively.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you assess their expertise and fit for your project.
To hire a Sound Editor in Denver, start by defining your project's requirements, including the type of project, budget, and timeline. Next, utilize platforms like Twine to post your job listing, ensuring to include all essential details. Networking in local film and audio communities can also help you find potential candidates. Additionally, review portfolios and watch for their previous work to gauge their style and expertise. Once you have a shortlist, reach out to candidates to discuss your project and assess their fit.
Hiring a freelance Sound Editor offers flexibility, often at a lower cost and with the potential for more personalized attention. Freelancers can adapt to your project needs and timelines more easily. In contrast, working with an agency provides access to a team of professionals with diverse skills, which can be beneficial for larger projects. Agencies may also offer additional services such as project management and quality assurance. Ultimately, your choice depends on the scope of your project and your specific requirements.
A comprehensive project brief for a Sound Editor should include:
This clarity helps attract suitable candidates who understand your project needs.
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