I have over 9 years of experience in video editing, and a degree with a backlog of work to prove it (see my resume for a portfolio). As you can see by my listed roles, w...
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I have over 9 years of experience in video editing, and a degree with a backlog of work to prove it (see my resume for a portfolio). As you can see by my listed roles, w...
See MorePassionate and creative video editor with over 4 years of experience in social media content, short films, and feature films. Highly proficient in Adobe Creative Cl...
See MoreHi, I’m Sean Mullany, a contract video editor and audio editor with a passion for storytelling and a knack for delivering polished media on tight deadlines. I collaborate...
See MoreI'm Jesse May, a multi-disciplinary audio-visual professional based in Indianapolis. I engineer, mix, and manage live events, recordings, and hybrid meetings for educatio...
See MoreEric Mychaels is a seasoned voiceover talent and producer with the highest level of integrity and professionalism. Whether on camera or behind the microphone, Eric can u...
See MoreI've been makin music for years. Tryin to get it heard by the right ears. Check me out at reverbnation.com/t1dthatonedude reverbnation.com/3mcee reverbnation.com/musicma...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
$5,000 – $13,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is a crucial part of the post-production process in film, television, and music. Their primary responsibility is to manipulate and enhance audio elements to create a polished final product. This includes tasks such as editing dialogue, sound effects, and music to ensure that all audio components work seamlessly together. Sound Editors also mix audio levels, remove unwanted noises, and add effects to enhance the listening experience. By collaborating closely with directors and producers, they help to achieve the desired emotional impact and coherence in the narrative. Their technical skills and artistic sensibilities play a vital role in shaping the overall sound landscape of a project.
Exceptional Sound Editors possess a unique combination of technical skills and creative flair. Key qualities include:
These attributes enable outstanding Sound Editors to elevate projects and deliver exceptional audio experiences.
Typical day rates for Sound Editors in United States vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To identify the perfect Sound Editor for your needs, start by evaluating their portfolio for relevant experience and style. Look for samples that resonate with the tone of your project. Consider their technical skills and familiarity with the software you use. Additionally, read client testimonials or reviews to gauge their reliability and professionalism. Conduct interviews to assess their communication skills and understanding of your project requirements. Finally, ensure they are adaptable and open to feedback, as collaboration is key to achieving the best results.
During a Sound Editor interview, consider asking the following key questions:
These questions will help you evaluate their expertise, approach, and fit for your project.
Hiring a Sound Editor in Indianapolis starts with defining your project's needs. Clearly outline the scope, goals, and budget of your project. Next, utilize platforms like Twine to post your job listing. This will attract qualified professionals actively seeking freelance opportunities. Review portfolios to assess their previous work and style. Engage with potential candidates to discuss their experience and understanding of your project. Additionally, consider the editor's availability and location, as this can influence communication and collaboration. Finally, establish clear expectations and timelines to ensure a smooth working relationship.
Hiring a freelance Sound Editor offers flexibility, direct communication, and often lower costs compared to working with an agency. Freelancers can provide personalized attention to your project and adapt quickly to changes. However, agencies typically offer a broader range of services and a team of professionals, ensuring reliability and continuity on larger projects. Agencies may also have established workflows, which can streamline the process. Ultimately, your choice will depend on your specific project needs, budget, and desired level of collaboration.
A comprehensive project brief for a Sound Editor should include:
This clarity will help ensure that both you and the Sound Editor are aligned on expectations and deliverables.
Hiring on Twine is simple.
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