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Hire expert sound editors in Austin, US

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Artemis L. - Freelance Sound Editor

Disponible

Monteur son
Pro Tools, reaper
Pro Tools, reaper
I have worked as a re-recording mixer, dialogue editor, voice-over recordist, live sound engineer, stage manager, playback operator, and system tuner and designer. I stay...
Devon S. - Freelance Sound Editor

Disponible

Monteur son
Ableton Live, Composition, Instrumental
Ableton Live, Composition, Instrumental
I'm a composer and audio engineer with 10+ years of experience across film, interactive media, live production and post production. I specialize in narrative-driven music...
Cooper S. - Freelance Sound Editor

Disponible

Monteur son
I am a recent UT Austin graduate who has been sound designing, composing, writing, and acting for both theatre and video games. You can find my porfolio at coopersmither....
Matt G. - Freelance Sound Editor

Disponible

Monteur son
Audio, Izotope Neutron, Izotope Ozone
Audio, Izotope Neutron, Izotope Ozone
Matt Gerhard is a Audio Mixer/Producer/Engineer based in Austin, TX mattgerhard.com Matt has worked with artists like Spoon, !!!, Tennis, Future Islands, and Parquet ...
Aime B. - Freelance Sound Editor

Disponible

Monteur son
Adobe Audition, Izotope Neutron, Izotope Ozone
Adobe Audition, Izotope Neutron, Izotope Ozone
Hi, I’m Aime Brunn, an Audio Editor and Engineer with 20+ years of experience in audio post-production, specializing in dialogue editing, podcast-style workflows, and del...
Jake G. - Freelance Sound Editor

Disponible

Monteur son
Hi, I'm Jake Gripp, a journalism student at the University of Texas at Austin with a passion for audio production and storytelling. I'm eager to grow my skills and contri...
Matthew T. - Freelance Sound Editor

Disponible

Monteur son
Hi, I’m Matthew J. Thornton, a film editor, filmmaker, and storytelling strategist with 10+ years of experience across documentary, commercial, and digital media. I found...
James L. - Freelance Sound Editor

Disponible

Monteur son
Hi, I’m James Lamas, a video editor with hands-on post-production experience across editing, color correction, and storytelling. I excel at shaping footage into cohesive,...
Mick P. - Freelance Sound Editor

Disponible

Monteur son
Aloha! I'm Mick -- an actor, mixed-movement artist and conscious content creator based in Austin, Texas. A dynamic storyteller that creates engaging and memorable ...
Hannah - Freelance Sound Editor

Disponible

Monteur son
I’m Hannah “H.M.” Radcliff (she/her), and I am a media creator with 15+ years of experience delivering high-end commercial and independent video production. My portfolio ...
James B. - Freelance Sound Editor

Disponible

Monteur son
Ableton Live, Freelance Gig, Pro Tools
Ableton Live, Freelance Gig, Pro Tools
Hi, I'm James, an experienced and innovative Audio Engineer with over 8 years in the music production industry. I have a strong background in project management, sound de...
Bobbie C. - Freelance Sound Editor

Disponible

Monteur son
Character Design, Copywriting, Game Design
Character Design, Copywriting, Game Design
Hi, I'm Bobbie Carr, a narrative designer and editor. I specialize in crafting engaging stories, worldbuilding, and branching dialogue for games and video content. Over t...

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Nous avons plus de 14 500 monteurs audio qui ont travaillé dans de nombreux secteurs différents et couvrent divers styles et compétences.
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Reconnu par des entreprises du monde entier

"Raúl Ragel has been a cornerstone of Diàleg Obert’s visual and multimedia evolution for over a decade. His ability to capture the essence of performance and sound art is exceptional. Throughout these 10 years, he has worked alongside internationally renowned artists, elevating our documentation and audiovisual archives with..."
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Mario @ Diàleg Obert
May 7, 2026
"Patrick Schmitt is a great engineer to work with. He goes above and beyond to make sure you are satisfied with the final product. His communication skills are excellent as well. Highly recommended."
Tarique @ Montevista Publishers
May 3, 2026
"I had worked with Chris Spencer in several projects including professional work for two separate employers over the years. Chris was hired to build and manage a large portal of health training content, which he exceeded expectations with. He created an extremely usable, searchable platform that was widely used by our..."
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Sadie @ Northwest Regional Primary Care Association, SEIU 775 Benefits Group
Apr 25, 2026
"James isn’t just a composer I hire, he’s the person I trust when a film needs music to carry the emotional and spiritual weight of the story. On GOOD: The Examination of an Accused Witch, we were telling a somber, historical drama about wrongful accusation, faith, suffering, and redemption, and James immediately understood..."
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Xavier @ Mount Harvest
Apr 22, 2026
"We hired Mr. Rafael Vargas to handle advertising campaigns and compose music for a consulting project for a company in France. The work was outstanding. He is a very talented and highly disciplined individual."
Luis @ Luis Fernando Vargas Consultoría
Apr 21, 2026
"Peter Goroyan is an outstanding sound designer for apps, with a sharp ear for detail and a deep understanding of user experience. He creates clean, intuitive, and engaging audio that enhances interaction without overwhelming it. Professional, creative, and reliable, Peter consistently delivers high-quality sound that..."
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Yana @ Helys
Apr 11, 2026
« Travailler avec Twine nous a permis de développer nos projets plus rapidement qu'auparavant, et Twine Business facilite grandement la gestion et le paiement des prestataires à travers le monde. »
Josh Bolland - CEO, JB Cole
-Josh Bolland
Président-directeur général, J B Cole
« J'ai trouvé une designer incroyable et elle est rapide. Je lui envoie désormais mes idées et elle les transforme en superbes designs. La collaboration est rapide, professionnelle et facile. J'ai l'impression qu'elle fait déjà partie de notre équipe. »
Achim Kohli - CEO, Legal-i
-Achim Kohli
PDG, Legal-i
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AUTRES CRÉATIFS DANS VOTRE RÉGION

We've got more than sound editors in Austin, United States
or widen your search to sound editors in United States
Ou élargissez votre recherche aux monteurs sonores internationaux

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Extrait du blog

Foire aux questions

What does a Sound Editor do?

A Sound Editor is responsible for manipulating and enhancing audio tracks to achieve the desired sound quality for films, television shows, video games, and other media productions. Their tasks typically include:

  • Editing dialogue to ensure clarity and continuity.
  • Adding sound effects and Foley to create an immersive experience.
  • Mixing audio tracks to balance sound levels and enhance the overall quality.
  • Collaborating with directors and producers to meet creative vision.

Sound Editors play a crucial role in the post-production process, ensuring that the auditory elements complement the visual storytelling effectively.

How to Hire a Sound Editor in Austin, US?

To hire a Sound Editor in Austin, US, start by identifying your project requirements, such as the type of media, specific skills needed, and budget constraints. Utilize platforms like Twine to post your job listing, making sure to provide detailed information on your project. This helps potential candidates understand your needs better. Additionally, consider reaching out to local production companies or attending networking events to meet professionals in the field. Be clear about your timeline and expectations to attract the right talent.

How much does it cost to hire a Sound Editor in Austin, US?

The cost to hire a Sound Editor in Austin, US varies based on experience levels:

  • Débutant : 25 $ à 40 $ de l'heure
  • Junior: $40 - $60 per hour
  • Mid-level (industry average): $60 - $80 per hour
  • Senior: $80 - $100 per hour
  • Expert : plus de 100 $ de l'heure

These rates can fluctuate depending on the project's complexity and the editor's expertise. Always discuss rates upfront to ensure alignment.

What qualities set exceptional Sound Editors apart from the rest?

Exceptional Sound Editors possess a unique blend of technical skills and artistic sensibility. Key qualities include:

  • Attention to detail, ensuring every sound is perfectly aligned.
  • Creativity, allowing them to innovate and enhance audio experiences.
  • Strong communication skills for effective collaboration with directors and producers.
  • Proficiency in various audio editing software and tools.
  • Adaptability to different genres and styles, catering to diverse project needs.

These attributes enable top Sound Editors to elevate the overall quality of audio in any production.

How do you recognize the perfect Sound Editor in Austin, US for your needs?

To recognize the perfect Sound Editor in Austin, assess their portfolio for relevant experience and style. Look for projects similar to yours to gauge their capability. Additionally, consider conducting interviews to evaluate their understanding of your vision and their communication skills. References and reviews from previous clients can provide insights into their reliability and professionalism. Lastly, trust your instincts; a good rapport can enhance the collaborative process significantly.

What are the key questions to ask in a Sound Editor interview?

During the interview process for a Sound Editor, consider asking the following key questions:

  • Quelle est votre expérience avec des projets similaires au mien ?
  • Can you describe your editing process from start to finish?
  • Comment gérez-vous les commentaires et les révisions ?
  • What software and tools do you typically use?
  • How do you ensure audio quality and consistency throughout a project?

These questions can help you gauge their expertise and determine if they are a suitable fit for your project.

What’s the difference between hiring a freelance Sound Editor and working with an agency in Austin, US?

Hiring a freelance Sound Editor offers flexibility, direct communication, and often lower costs compared to working with an agency. Freelancers typically have diverse portfolios and can adapt quickly to your project's needs. In contrast, agencies may provide a team of professionals with varied expertise and established processes, ensuring consistency and reliability across larger projects. However, agencies may come with higher fees and less personalized service. Consider your project's scale and specific requirements when making a choice.

What should be in a Sound Editor project brief/job description?

A well-defined project brief for a Sound Editor should include:

  • Project overview: Describe the media type and objective.
  • Specific tasks: Outline editing, mixing, and sound design requirements.
  • Timeline: Provide deadlines for each phase of the project.
  • Budget: State your budget range to attract suitable candidates.
  • Preferred skills: Mention any specific software or experience required.

Clear expectations help attract the right talent and streamline the hiring process.

How do I hire a Sound Editor in Austin, US on Twine?

Recruter sur Twine, c'est simple.

  1. Publiez une offre d'emploi avec les détails de votre projet, le calendrier et le budget.
  2. Parcourez les portfolios d'éditeurs sonores sélectionnés et invitez ceux qui correspondent à vos besoins.
  3. Recevez des propositions et comparez les expériences, les prix et les avis.
  4. Communiquez vos attentes, fixez des étapes clés et finalisez l'embauche.
  5. Effectuez vos paiements en toute sécurité via Twine, qui garantit la protection des deux parties. Twine vous met en relation avec les meilleurs monteurs audio indépendants, vous permettant ainsi de trouver facilement le professionnel créatif idéal pour votre projet.

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