Available to hire
I’m a music composer and sound designer with 10+ years of experience across games and film, working with orchestration, additional music, and sound design for trailers, DLCs, and in-game content. My background combines traditional music training with real-time and studio production workflows.
I’ve contributed to Latin American and international projects for studios such as L.A. Film Companies and game developers/teams (e.g., Unreal Engine/Unity pipelines). I’m comfortable mixing/editing, programming MIDI where needed, and delivering music/sound assets that match creative direction and production needs.
Skills
Experience Level
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Expert
Intermediate
Intermediate
Language
Spanish; Castilian
Fluent
English
Fluent
Italian
Advanced
Work Experience
Music Designer / Audio Designer at Nimble Giant (Spain)
December 31, 2024 - September 24, 2025Lead music design and audio integration for video games; implement audio pipelines in Unreal Engine and collaborate with cross-functional teams to deliver immersive sound.
Additional Music / MIDI Programming / Audio (Referenced: “Entrela zados”) at Entre la zados (TV series) - Season 2 (Argentina/Spain)
January 1, 2023 - January 1, 2024Additional music and MIDI programming for the second season of the TV series Entrelazados. Provided supporting audio/MIDI deliverables.
Music Designer / Sound Designer at U.S.A.M music design (mentioned: “U SAM usic D esig n er”)
January 1, 2023 - January 1, 2023Sound designer role on Big Time (USAM). Contributed to music/sound design deliverables as part of production.
Audio / Music Designer at White Board Games (Argentina)
January 1, 2022 - January 1, 2022Audio, mixing, and music/sound design contributions for game production.
Music Designer / Audio Artist at Disney Argentina (mentioned: “Disney l Argen tina Music Designer”)
January 1, 2022 - January 1, 2022Music design and audio artistry work for Disney-related production in Argentina.
Music Designer at Nimble Giant
January 1, 2022 - December 31, 2024Music designer at Nimble Giant (Spain) for multiple game projects; audio direction, composition, and sound design.
Sound Designer at Nimble Giant
January 1, 2022 - PresentCreated immersive soundscapes, foley, ambience, and character sounds for video game titles; collaborated with audio team to implement audio in Unreal Engine and Wwise.
Composer / Audio Designer at Darkestville Castle (PS4, PC; Unity)
January 1, 2021 - January 1, 2021Composer/audio work for Darkestville Castle, covering in-game audio deliverables.
Composer / Trailer Music (Referenced: “Kvlt / Sh oote r / Horror / FPS”) at Kvlt (Shooter/Horror/FPS) - Unreal Engine
January 1, 2021 - January 1, 2021Composed trailer music for the Kvlt project (or referenced trailer deliverable).
Composer / Additional Music at Star Trek Infinite (AA/S) - Deluxe Edition (DLC)
January 1, 2021 - January 1, 2021Strategy/Claus(e) related additional music for Star Trek Infinite Deluxe Edition (DLC).
Film Additional Music / Orchestration / Programming at Objetos (Director: Jorge Dorado)
January 1, 2021 - January 1, 2023Additional music, orchestration, and programming for the film Objetos (referenced project).
Music Designer at Pampa Films (Argentina - Spain)
January 1, 2021 - January 1, 2021Additional music and game/audio-related deliverables associated with Pampa Films productions.
Music Designer / Audio Artist at Big Time / Nimble Giant (Argentina / Spain listings)
January 1, 2021 - January 1, 2024Music design contributions including additional/trailer/in-game support (projects referenced with Unreal Engine/Unity audio workflows).
Music Designer at Pampa Films
January 1, 2021 - PresentMusic design for film productions; Argentina–Spain collaboration.
Music Designer at Nimble Giant
January 1, 2021 - PresentMusic design and audio direction for Nimble Giant games; collaborating with composers and engineers.
Music Designer at Quarantine Interactive
January 1, 2021 - December 31, 2021Music designer for Quarantine Interactive project; audio design and composition.
Composer / Sound Designer at Darkestville Castle
January 1, 2021 - September 24, 2025Composer for Darkestville Castle on PS4, Nintendo Switch, Android, PC and macOS/Linux; provided soundtrack and in-game audio.
Additional Music / Sound Designer at Star Trek Infinite
January 1, 2021 - September 24, 2025Additional music, sound design and orchestration for Star Trek Infinite (Deluxe Edition).
General Producer at Nimble Giant
December 31, 2020 - September 24, 2025Oversee music design and audio production for multiple video game projects; coordinate with composers, sound designers and developers to drive audio direction and ensure timely delivery across platforms.
Additional Music / Co-Composer / Sound Designer (Referenced: “Element Space”) at Element Space (Unity) - Cuts/Scenes
January 1, 2020 - January 1, 2021Co-composer for Element Space; sound designer contributions for cuts/scenes.
Music Designer at Twist of Ashes (Argentina)
January 1, 2020 - PresentAdditional music and/or orchestration; also referenced as film-related additional music and orchestration deliverables.
Music Designer at Nimble Giant
January 1, 2020 - September 24, 2025Designed original music themes and scores for Nimble Giant games and media; implemented audio into game engines and worked closely with composers and engineers to realize the musical vision.
General Producer at Nimble Giant
January 1, 2020 - September 24, 2025Led music design, sound design, and audio post-production for Nimble Giant projects, coordinating with game developers and creative directors to deliver cohesive audio experiences across multiple titles.
Composer / Audio Designer / Additional Music at Nosebound (referenced: action/adventure; Unity Engine)
January 1, 2019 - January 1, 2020Additional music and sound design for the video game Nosebound; also referenced as mobile-related work.
Composer / Sound Designer / Orchestrator (Referenced: “Genesy s One & Invasion 2040”) at Geneys One & Invasion 2040 (short films)
January 1, 2019 - January 1, 2020Composer, sound designer, and orchestrator for Genesis One and Invasion 2040 short films; included sound design and orchestration deliverables.
Music Designer / Audio Artist at Evil Guinea Pig (Argentina)
January 1, 2019 - January 1, 2019Music design and audio artistry work for production referenced as Evil Guinea Pig (Argentina).
Trailer Music / Sound Designer at The Axe
January 1, 2019 - PresentTrailer music and sound design work for The Axe (video game).
Music Designer & Orchestrator at Objets (Film)
January 1, 2019 - December 31, 2019Additional music, orchestration and programming for Objets (Directed by Jorge Dorado).
Music Designer at The Axe
January 1, 2019 - December 31, 2019Music and sound design for The Axe trailer (video game) for EVA 2019 Genesis One & Invasion 2040.
Music Designer at Evil Guinea Pig
January 1, 2019 - December 31, 2019Music designer for Evil Guinea Pig project; composed and designed audio.
Music Designer at Quarantine Interactive (Argentina)
January 1, 2018 - January 1, 2018Music design work for Quarantine Interactive.
Music Designer at Creavision (Argentina)
January 1, 2018 - January 1, 2018Music design contributions referenced under 2018 (Creavision).
Music Designer at OKAM Studio (Argentina)
January 1, 2017 - January 1, 2018Music designer role at OKAM Studio.
Music Designer at Okam Studio (Argentina)
December 31, 2016 - September 24, 2025Designed music and sound for studio projects, coordinating with directors and developers to shape the sonic identity.
Music Designer at OqPaM (Argentina)
January 1, 2016 - January 1, 2016Music designer role at OqPaM, Argentina (as referenced).
Music Designer at Oneion Corel (Chile) (mentioned: “O nion C ore l C hile”)
January 1, 2016 - January 1, 2016Music designer role at Oneion Corel in Chile (as referenced).
General Producer / Music Designer / Audio Artist at Nimble Giant
January 1, 2016 - January 1, 2020Music designer and general producer tasks with 3+ studios referenced under Nimble Giant era; included sound design and audio production deliverables.
Music Designer at Epic Llama (Argentina)
January 1, 2016 - January 1, 2016Music designer role at Epic Llama.
Music Designer at Sixth Vowel (Argentina)
January 1, 2016 - January 1, 2017Music designer role at Sixth Vowel.
General Producer at Nimble Giant
January 1, 2016 - January 1, 2020Lead producer for audio and music design; coordination with Unreal Engine projects; involved in audio mixing and sound design for video games.
Music Designer at Twist of Ashes
January 1, 2016 - December 31, 2017Created music and sound design for a game project in Argentina.
Music Designer at Okam Studio
January 1, 2016 - September 24, 2025Music design work for Argentina-based projects; composition and orchestration for games and media.
Music Designer at E Studios, LA
January 1, 2016 - September 24, 2025Created music design and audio assets for LA-based projects, collaborating with cross-functional teams.
Additional Music / Audio Mixer / Sound Designer (Referenced: “FootBall Manager I See Red A.A/S”) at I See Red (A.A/S) / Red A.A/S (referenced)
January 1, 2015 - PresentAudio mixing and sound design deliverables for the game Football Manager and referenced related I See Red titles.
Music Designer / Music Composer / Sound Designer at Freelance / Various projects (Latin America & abroad)
January 1, 2015 - PresentWorked across multiple studios and productions as a music designer, sound designer, and audio artist. Provided additional music, orchestration, sound design, and editing/mixing. Supported game-related pipelines and delivered trailer and in-game music/sound assets, coordinating with creative direction and production teams.
Education
Bachelor of music composition at Art University
May 1, 2008 - December 11, 2015Bachelor in Music Composition at National University of Arts
January 1, 2008 - January 1, 2015Technical degree in Music at Music Conservatoire
January 1, 2004 - January 1, 2007Bachelor in Music Composition at National University of Arts
January 1, 2008 - January 1, 2015Technical degree in Music Conservatory at Conservatory of Music
January 1, 2004 - January 1, 2007Bachelor in Music Composition at National University of Arts Conservatoire of Music
January 1, 2008 - January 1, 2015 at Conservatoire of Music
January 1, 2004 - January 1, 2007Bachelor in Music Composition at National University of Arts
January 1, 2008 - January 1, 2015Technical degree in Music at Conservatoire of Music
January 1, 2004 - January 1, 2007Bachelor in Music Composition at National University of Arts
January 1, 2008 - January 1, 2015Bachelor in Music Composition at National University of Arts
January 1, 2008 - January 1, 2015Technical Degree in Music at Music Conservatory
January 1, 2004 - January 1, 2007Bachelor in Music Composition at National University of Arts
January 1, 2008 - January 1, 2015Bachelor in Music Composition at National University of Arts
January 1, 2004 - January 1, 2007Technical degree in Music Conservatory of Music at Conservatory of Music
January 1, 2008 - January 1, 2015Qualifications
Bachelor of music composition
December 19, 2008 - December 3, 2015Bachelor in Music Composition
January 1, 2008 - January 1, 2015Industry Experience
Gaming, Education, Media & Entertainment, Professional Services, Software & Internet, Other
AA / Shooter / Unity Engine
• Designed SFX for cutscenes, UI, ambience, and characters.
• Implemented audio assets in FMOD Studio working alongside the audio engineer.
• Contributed additional music for game levels.
Grand Strategy / Clausewitz Engine
• Created immersive environmental soundscapes, UI sounds, and event sounds for the entire game.
• Contributed additional adaptive music to enhance atmospheric depth.
• Implemented audio as audio implementer on Clausewitz Engine in direct collaboration with art, design,
and programming teams.
Interactive Horror / Unreal Engine (published by Konami)
• Produced sound effects for interactive horror scenes in a high-profile Konami-published interactive
experience.
• Collaborated with the audio team to deliver implementation-ready assets meeting strict platform and
narrative requirements.
• Created SFX assets and implemented audio directly in Unreal Engine 5 using Metasounds and Blueprint
systems.
• Designed and integrated cinematic sound effects in close collaboration with the development team.
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