I’m a film composer and audio post-production specialist with 10+ years of experience creating original music and delivering complete post-production audio for film, TV, ...
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I’m a film composer and audio post-production specialist with 10+ years of experience creating original music and delivering complete post-production audio for film, TV, ...
See MoreI'm an audio/sound engineer, voice actor, and creative production manager with 20+ years of experience leading projects in music, games, and entertainment. I excel at gui...
See MoreHi, I'm Mark Ennis, a Sound Designer and Production Mixer with 5 years of experience across film, broadcast, and commercial media. I specialize in on-set sound recording,...
See MoreWith over 15 years of experience in the audio industry, I am passionate about crafting soundscapes that resonate with audiences. I have collaborated on various projects, ...
See MoreI am an award-winning audio postproduction professional with 26 years of experience. I've worked with top media broadcasters in Canada, the UK and the US. In Factual, Doc...
See MoreAndré creates records that feel intentional, honest, and alive—blending critical listening, technical precision, and musical instinct at every stage of the process. Bu...
See MorePortfolio: samuelcaron.net Hi, I’m Samuel Caron, a Montreal-based video editor and color grading specialist. I have over five years of professional experience at Seedb...
See MoreI'm a Sound Editor expert based in Edmonton, Canada. I specialise in Audacity, Audio, and Blueprints, and bring hands-on experience to every brief.
See MoreHello! I'm Jeff Khounthavong, a cinematographer and filmmaker with a passion for storytelling across commercials, web series, and documentaries. I have experience produci...
See MoreHi there! I’m a multimedia producer and educator with experience across TV, film, and online media. I lead production from concept to delivery, blending storytelling with...
See MoreMixing and Mastering engineer delivering clean, modern, streaming-ready sound for artists worldwide. I’m Pat Favreau, a Montréal-based audio engineer and Apple Digit...
See MoreI'm a podcast producer with over 5 years of experience in end-to-end podcast production, social media content creation, and website + brand design. I've led projects, man...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
Start your searchDevelopment specialisms and the cross-functional roles you'll often hire alongside.
Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
CA$5,900 – CA$16,000
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is a skilled professional responsible for manipulating and enhancing audio elements in films, television shows, video games, and other multimedia projects. Their primary duties include editing dialogue, sound effects, and music to create a seamless audio experience. Sound Editors work closely with directors and sound designers to ensure that the audio complements the visual elements, enhancing the overall storytelling. They also adjust levels, clean up audio, and may create sound effects from scratch. Ultimately, they play a crucial role in shaping the auditory landscape of any project, ensuring high-quality sound that captivates audiences.
Exceptional Sound Editors possess a combination of technical skills, creativity, and attention to detail. They have a deep understanding of sound design principles and are proficient in using industry-standard software. Moreover, they exhibit strong communication skills, allowing them to collaborate effectively with directors and other team members. Adaptability is also crucial, as every project may present unique challenges. A great Sound Editor actively seeks feedback and continuously improves their craft. Additionally, they should have a strong artistic vision that complements the overall narrative, ensuring the audio enhances the viewer’s experience.
Typical day rates for Sound Editors in Canada vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your needs in Canada, start by evaluating their portfolio. Look for work that aligns with your project's style and requirements. Pay attention to their experience—those with diverse backgrounds in various media projects may better suit your needs. Additionally, consider their communication skills during interviews; a good Sound Editor should be able to clearly articulate their process and ideas. Check reviews and testimonials from previous clients to assess their reliability and professionalism. Finally, trust your instincts; if you feel a strong connection and confidence in their abilities, they may be the right fit.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you gauge their expertise, problem-solving capabilities, and compatibility with your project’s vision.
Hiring a Sound Editor in Canada involves a few key steps. First, define your project requirements, including the scope, timeline, and budget. Once you have a clear understanding of your needs, you can start looking for potential candidates. Utilize platforms like Twine to browse profiles of freelance Sound Editors with relevant experience. When you find candidates that match your criteria, reach out to them to discuss your project in detail. Don’t forget to review their portfolios and client testimonials to gauge their skill level and suitability for your project. Finally, conduct interviews to assess their fit and finalize the hiring process.
The primary difference between hiring a freelance Sound Editor and working with an agency in Canada lies in the structure and flexibility of services. Freelancers typically offer lower overhead costs, direct communication, and a more personal approach to project management. They can be more adaptable and focused on individual client needs. On the other hand, agencies often have a diverse team of professionals, providing a broader range of skills and resources. They may also offer more structured project management, which can be beneficial for larger projects. Ultimately, your choice should depend on your specific needs, budget, and project complexity.
A comprehensive project brief for a Sound Editor should include:
Providing detailed information will help attract the right candidates and clarify your expectations from the start.
Hiring on Twine is simple.
Post your project and meet your expert within 24 hours. Over 45,000+ high growth companies that trust Twine.