Based in Copenhagen, Denmark, I'm a Sound Editor expert focused on Active Directory, AI Data Labelling, and Audacity. I take a clear, collaborative approach to every proj...
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Based in Copenhagen, Denmark, I'm a Sound Editor expert focused on Active Directory, AI Data Labelling, and Audacity. I take a clear, collaborative approach to every proj...
See MoreHi, I'm Benjamin, a Danish voice talent with a warm and expressive vocal tone. I have a quality microphone and a quiet recording environment that enable me to deliver cle...
See MoreI am filmmaker and professional triathlete based in Copenhagen, with a strong background in content creation and audiovisual production. With years of experience as a fre...
See MoreI'm Christian Gramtorp, a Copenhagen-based sound designer specializing in game audio and immersive sound for installations and gallery exhibitions. I combine field record...
See MoreI am an experienced sound designer with a master degree in sound design from NFTS and a bachelor in Musicology from University of Copenhagen. I started my career as a ...
See MoreI’m Nicolaj, a 9th-grade student from Denmark with a passion for editing and visual storytelling. I’ve worked on editing projects both in and outside of school, and I’m c...
See MoreHi, I’m Maria, a multilingual and expressive voice talent with a solid foundation in sound and video editing. I focus on clear articulation, storytelling, and adapting to...
See MoreMy name is Viktor Lente, and I'm a sound designer specializing in audio post-production. I have 15 years of experience working with film sound, and for the past 8 years, ...
See MoreProducer, composer, musician, co-founder, teacher, curator “Module Exchange” (innovative school of electronic music) promoter, and co-founder of “Module Live” electronic ...
See MoreI'm a Sound Editor expert based in Aalborg, Denmark. I specialise in Adobe Audition, DaVinci Resolve Studio, and Master, and bring hands-on experience to every brief.
See MoreI'm a Sound Editor working from Aarhus, Denmark. I'm always keen to jump into a well-scoped project and deliver quality work.
See MoreI'm a sound designer specializing in audio post-production. I have 15 years of experience working with film sound and for the past 8 years, I’ve primarily worked as a sou...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
kr30,500 – kr82,000
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating audio recordings to create a polished final product for various media, including films, television shows, video games, and podcasts. Key responsibilities include selecting and editing sound effects, dialogue, and music to ensure they complement the visuals. They also sync audio with video, eliminate background noise, and enhance sound quality. Sound Editors work closely with directors and sound designers to achieve the desired auditory experience, making their role crucial in storytelling. Their technical skills and artistic vision enable them to craft immersive audio landscapes that engage audiences and enhance the overall impact of the project.
Exceptional Sound Editors possess a blend of technical skills and artistic sensibility. Key qualities include:
These attributes enable them to deliver projects that resonate with audiences and fulfill creative visions.
Typical day rates for Sound Editors in Denmark vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your needs, start by reviewing their portfolio, paying attention to projects similar to yours. Look for creativity and sound design skills that align with your vision. Additionally, consider their communication style; a good editor should be approachable and responsive to feedback. Testimonials and reviews from previous clients can provide insight into their reliability and professionalism. Finally, conduct interviews to discuss your project in detail and assess their understanding and enthusiasm. By following these steps, you can identify a Sound Editor who is a perfect fit for your project.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you gauge their expertise, compatibility with your project, and ability to meet your expectations.
Hiring a Sound Editor in Denmark involves a few strategic steps. First, define your project needs, including the type of media, budget, and timeline. Next, utilize platforms like Twine to access a wide pool of talented freelancers. When posting your job, provide detailed information about the project to attract suitable candidates. Review portfolios and past work to assess their style and expertise. Engage in conversations with potential hires to gauge their understanding of your vision and expectations. Finally, ensure you have a clear agreement regarding deliverables, deadlines, and payment terms to avoid misunderstandings during the project.
Hiring a freelance Sound Editor offers flexibility and often lower costs compared to working with an agency. Freelancers typically have more direct communication with clients, allowing for personalized service and quicker adjustments. However, agencies may provide a broader range of services and additional resources, such as a team of specialists for complex projects. Agencies can also offer more reliability in terms of project management and deadlines. Ultimately, the choice depends on your project needs, budget, and the level of support you require.
A comprehensive project brief for a Sound Editor should include:
A clear project brief ensures potential candidates understand your expectations, leading to more successful collaborations.
Hiring on Twine is simple.
Post your project and meet your expert within 24 hours. Over 45,000+ high growth companies that trust Twine.