Rémi Pelet — Ingénieur du son post-production Bienvenue sur ma page ! Je m’appelle Rémi Pelet, ingénieur du son basé à Lyon, spécialisé dans la post-production sonore ...
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Rémi Pelet — Ingénieur du son post-production Bienvenue sur ma page ! Je m’appelle Rémi Pelet, ingénieur du son basé à Lyon, spécialisé dans la post-production sonore ...
See MoreHi, I'm Fred Lombard. With a deep passion for music and sound, I've spent years creating, composing, and producing music across various formats including electronic music...
See MoreSound designer and post-production audio engineer based in Paris, working across animation, film, and digital content. I craft precise, impactful sound—from detailed d...
See MoreMy work is particularly well-known for the soundtrack of the film *La Cité rose* or "Asphalt Playground", directed by Julien Abraham. For this project, I sought to create...
See MoreI am an experienced music composer, sound engineer, and audio specialist with over 20 years of freelance remote work experience. I have a proven track record of success i...
See MoreI'm a Sound Artist from Paris, France I have been working as a Sound Production Mixer, Sound Designer, Mixing engineer and Music Composer for the past 15 years. Work...
See MoreHello, I'm a French audio engineer with a wide range of experiences in the audio world and a strong artistic sensitivity. I'm seeking opportunities in the audio industry...
See MoreI am a versatile sound engineer with strong experience in recording, mixing, and sound design for audiovisual and musical productions. Twice awarded for Best Music at th...
See MoreHello, I've been a sound designer and music composer for 10 years. I work freelance in my own studio, "Loma Sound Design," based in Nantes, France. Voici mon site: htt...
See MoreHey there! My name is Aleksandr Ananyan also known as RJ, and I'm a Music Producer based in France. I absolutely love everything about music, and I have a wide range of...
See MoreMusician, audio editor and mixing engineer with 10+ years of experience in music production, podcast editing and live sound, with a specialization in voice processing. ...
See Morehttps://tonefirst.com/ We are Tone First, a boutique audio studio run by two passionate specialists. We create immersive audio experiences for interactive and linear med...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
€3,900 – €10,500
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is a professional responsible for manipulating audio elements in film, television, and other media. Their primary tasks include editing dialogue, sound effects, and music to create a cohesive and engaging auditory experience. They work closely with directors and sound designers to ensure the audio complements the visual narrative. Key responsibilities include:
Sound Editors play a crucial role in the overall production quality, ensuring that the audio contributes effectively to the project's impact.
Exceptional Sound Editors possess a unique combination of technical skills and artistic sensibility. Key qualities include:
These traits enable them to deliver outstanding audio experiences that elevate the overall production.
Typical day rates for Sound Editors in France vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your project in France, start by reviewing their portfolio for relevant work samples. Look for versatility in styles and types of media they have worked with. Assess their experience with projects similar to yours and check client reviews for insights on their professionalism and collaboration skills. Conduct interviews to gauge their understanding of your vision and their ability to communicate effectively. Finally, trust your instincts—finding someone who resonates with your project goals is crucial for a successful partnership.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you understand their expertise, work ethic, and compatibility with your project.
Hiring a Sound Editor in France involves a few straightforward steps. Start by defining your project requirements, including the type of media, timeline, and budget. Utilize platforms like Twine to post your job listing, where you can attract qualified freelancers. Make sure to specify your expectations and the skills required for the role. Once you have applicants, review their portfolios to assess their style and expertise. Don't hesitate to reach out for clarifications and gauge their communication skills, which are vital in collaborative projects.
Hiring a freelance Sound Editor offers flexibility and often lower costs compared to working with an agency. Freelancers typically have more direct communication, allowing for quicker feedback and adjustments. However, agencies may provide a broader range of services, including project management and multiple specialists for larger projects. They often have established processes and quality assurance measures in place. Ultimately, the choice depends on your project's scale, budget, and the level of expertise required.
A comprehensive project brief for a Sound Editor should include:
A clear and detailed brief helps attract the right candidates and sets expectations from the outset.
Hiring on Twine is simple.
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