Hire expert composers in Austin, US

"Lukas was a real pleasure to work with. He was quick to pick up on design ideas I had, and delivered music I asked for in great quality and in a timely manner according to the deadlines. I wish to work with him again in the future."

"The sound for the recording is very clear and realistic. You did a great job!! Next time I have a recital I’ll keep you in mind 😊"

"Mohammad Amini composed the music for my short films and did an outstanding job. He listened closely to my direction and delivered exactly what I envisioned."

"I've worked with Nick on a wide variety of film and Tv projects. He's a versatile talented musician moving seamlessly between classical and contemporary scores. His easy going enthusiasm has proved successful for a variety of different scale projects. He really understands the impact the score can have on the emotional..."

"I've worked with Nick on a wide variety of film and Tv projects. He's a versatile talented musician moving seamlessly between classical and contemporary scores. His easy going enthusiasm has proved successful for a variety of different scale projects. He really understands the impact the score can have on the emotional impact with an audience. Recently The Feud's playful score became an addictive hit on Netflix, staying at no 1 for over a week. I look forward to many more collaborations in the future."

"Brian is a creative powerhouse, totally unafraid of taking on challenging work and is always open to feedback and iteration. He's been an absolute pleasure to work with for years - I hope we get to continue collaborating for many more."

"James isn’t just a composer I hire, he’s the person I trust when a film needs music to carry the emotional and spiritual weight of the story. On GOOD: The Examination of an Accused Witch, we were telling a somber, historical drama about wrongful accusation, faith, suffering, and redemption, and James immediately understood..."

"James isn’t just a composer I hire, he’s the person I trust when a film needs music to carry the emotional and spiritual weight of the story. On GOOD: The Examination of an Accused Witch, we were telling a somber, historical drama about wrongful accusation, faith, suffering, and redemption, and James immediately understood the gravity of that world. He brought a cinematic, haunting, deeply human sound to the film that made the era feel alive, almost as if the spirits haunting Salem were crying out through the chords he struck. What makes James special is that he understands film like a storyteller; he knows when to stay quiet, when to let the music secretly guide the viewer’s heart, and when a moment demands something big and unforgettable. There’s a scene where Callum’s pregnant wife is dragged toward the stake, and James’ music gave that moment the devastating emotional depth and Hollywood magic it needed to truly land. I keep coming back to James because he doesn’t just write music... he composes emotional events that feel intrinsic to the images, as if the visuals were conceived with his score already breathing inside them."