I'm Robert "Loose Cannon" Anderson, a Glasgow-based producer, composer, audio engineer and musician who alchemically turns ideas into bold, tangible sound. I work across ...
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I'm Robert "Loose Cannon" Anderson, a Glasgow-based producer, composer, audio engineer and musician who alchemically turns ideas into bold, tangible sound. I work across ...
See MoreA highly experienced sound designer, editor and engineer with own studio base using a full protools rig. Worked in TV, film and radio for over 20 years with manuy netwro...
See More3rd year Bsc Music Technology Student at UWS open to freelance audio mixing work.
See MoreI'm an experienced Sound Editor based in Glasgow, United Kingdom. I specialise in Adobe After Effects, Adobe Premiere Pro, and Audacity and enjoy helping teams turn ideas...
See MoreHi, I'm Mia Hull, a radio/podcast producer, presenter and interviewer with a passion for crafting engaging long-form content. Based in Glasgow, I combine rigorous researc...
See MoreI have recently graduated with a BA(Hons) Television from City of Glasgow College/Napier University. I was fortunate enough to participate in various productions from per...
See MoreHi, I’m Jack Lindsay, a sound designer and audio editor with a passion for cross-disciplinary collaboration across film, games, and social media content. I bring a meticu...
See MoreI am a collaborative composer and performer with over ten years of experience in the music industry. I hold both undergraduate and master's degrees in composition from th...
See MoreI'm a versatile editor with experience on live action and animation projects, comfortable working under tight deadlines, and adept at blending storytelling with technical...
See MorePassionate & dedicated. Experienced dialogue editor for AAA video games, audiobooks & podcasts. Clients include Audible, SIDE, Ubisoft & more. I’m a fast, efficient P...
See MoreAs a professional Video Editor for the past 15 years, I have developed my craft, technique and precision to bring something extra to every project on which I work. Be ...
See MoreI am a hardworking and reliable individual passionate about all aspects of radio production. I've recently completed an HND in Radio, where I gained experience in editing...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
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Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
£3,200 – £8,400
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for preparing and assembling recorded audio for a film, television show, game, or other production. This includes selecting, editing, and mixing sound effects, dialogue, and music to create a cohesive audio experience. Their work enhances the storytelling by ensuring that the sound complements the visuals, impacting mood and atmosphere. Sound Editors often collaborate closely with directors and sound designers to achieve the desired audio landscape, using specialized software and tools to manipulate audio tracks effectively.
Exceptional Sound Editors possess a unique blend of technical skills and creative vision. Key qualities include:
These traits help them deliver high-quality audio that meets or exceeds project expectations.
Typical day rates for Sound Editors in United Kingdom vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
Recognizing the perfect Sound Editor involves evaluating their portfolio, experience, and communication style. Look for candidates with a history of successful projects that align with your vision. Pay attention to their ability to convey ideas clearly and respond to feedback positively. Conduct interviews to assess their understanding of your project and gauge their compatibility with your team. Checking reviews and references can also provide insights into their professionalism and reliability. Ultimately, the right match should inspire confidence in their ability to bring your audio vision to life.
When interviewing a Sound Editor, consider asking the following key questions:
These questions will help you determine their expertise, problem-solving skills, and fit for your project.
To hire a Sound Editor in Glasgow, UK, begin by defining your project scope and budget. Utilize online talent marketplaces like Twine to access a wide pool of skilled professionals. Post a detailed job listing that outlines your project requirements, including the desired skills, experience level, and timeline. Review portfolios and previous work to assess candidates' suitability. Consider reaching out for initial discussions to gauge compatibility and communication style before making a final decision.
Hiring a freelance Sound Editor offers flexibility and often lower costs, as freelancers typically have fewer overhead expenses than agencies. You can directly communicate with the editor, which may speed up the decision-making process. However, working with an agency may provide a broader range of services, including a team of specialists who can collaborate on various aspects of audio production. Agencies often have established processes and resources, which can be beneficial for larger projects. Ultimately, the choice depends on your project needs, budget, and preferred working style.
A comprehensive project brief for a Sound Editor should include the following elements:
This clarity helps attract qualified candidates who understand your expectations.
Hiring on Twine is simple.
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