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Devon S. - Freelance Sound Editor

Available

Sound Editor
Ableton Live, Composition, Instrumental
Ableton Live, Composition, Instrumental
I'm a composer and audio engineer with 10+ years of experience across film, interactive media, live production and post production. I specialize in narrative-driven music...
Artemis L. - Freelance Sound Editor

Available

Sound Editor
Pro Tools, reaper
Pro Tools, reaper
I have worked as a re-recording mixer, dialogue editor, voice-over recordist, live sound engineer, stage manager, playback operator, and system tuner and designer. I stay...
Cooper S. - Freelance Sound Editor

Available

Sound Editor
I am a recent UT Austin graduate who has been sound designing, composing, writing, and acting for both theatre and video games. You can find my porfolio at coopersmither....
Jake G. - Freelance Sound Editor

Available

Sound Editor
Hi, I'm Jake Gripp, a journalism student at the University of Texas at Austin with a passion for audio production and storytelling. I'm eager to grow my skills and contri...
Matthew T. - Freelance Sound Editor

Available

Sound Editor
Hi, I’m Matthew J. Thornton, a film editor, filmmaker, and storytelling strategist with 10+ years of experience across documentary, commercial, and digital media. I found...
James L. - Freelance Sound Editor

Available

Sound Editor
Hi, I’m James Lamas, a video editor with hands-on post-production experience across editing, color correction, and storytelling. I excel at shaping footage into cohesive,...
Matt G. - Freelance Sound Editor

Available

Sound Editor
Audio, Izotope Neutron, Izotope Ozone
Audio, Izotope Neutron, Izotope Ozone
Matt Gerhard is a Audio Mixer/Producer/Engineer based in Austin, TX mattgerhard.com Matt has worked with artists like Spoon, !!!, Tennis, Future Islands, and Parquet ...
Mick P. - Freelance Sound Editor

Available

Sound Editor
Aloha! I'm Mick -- an actor, mixed-movement artist and conscious content creator based in Austin, Texas. A dynamic storyteller that creates engaging and memorable ...
Hannah - Freelance Sound Editor

Available

Sound Editor
I’m Hannah “H.M.” Radcliff (she/her), and I am a media creator with 15+ years of experience delivering high-end commercial and independent video production. My portfolio ...
James B. - Freelance Sound Editor

Available

Sound Editor
Ableton Live, Freelance Gig, Pro Tools
Ableton Live, Freelance Gig, Pro Tools
Hi, I'm James, an experienced and innovative Audio Engineer with over 8 years in the music production industry. I have a strong background in project management, sound de...
Aime B. - Freelance Sound Editor

Available

Sound Editor
Adobe Audition, Izotope Neutron, Izotope Ozone
Adobe Audition, Izotope Neutron, Izotope Ozone
Hi, I’m Aime Brunn, an Audio Editor and Engineer with 20+ years of experience in audio post-production, specializing in dialogue editing, podcast-style workflows, and del...
Bobbie C. - Freelance Sound Editor

Available

Sound Editor
Character Design, Copywriting, Game Design
Character Design, Copywriting, Game Design
Hi, I'm Bobbie Carr, a narrative designer and editor. I specialize in crafting engaging stories, worldbuilding, and branching dialogue for games and video content. Over t...

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We have over 14,500 sound editors who've worked in many different industries and cover various styles and skillsets.
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Trusted by companies around the world

"Raúl Ragel has been a cornerstone of Diàleg Obert’s visual and multimedia evolution for over a decade. His ability to capture the essence of performance and sound art is exceptional. Throughout these 10 years, he has worked alongside internationally renowned artists, elevating our documentation and audiovisual archives with..."
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Mario @ Diàleg Obert
May 7, 2026
"Patrick Schmitt is a great engineer to work with. He goes above and beyond to make sure you are satisfied with the final product. His communication skills are excellent as well. Highly recommended."
Tarique @ Montevista Publishers
May 3, 2026
"I had worked with Chris Spencer in several projects including professional work for two separate employers over the years. Chris was hired to build and manage a large portal of health training content, which he exceeded expectations with. He created an extremely usable, searchable platform that was widely used by our..."
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Sadie @ Northwest Regional Primary Care Association, SEIU 775 Benefits Group
Apr 25, 2026
"James isn’t just a composer I hire, he’s the person I trust when a film needs music to carry the emotional and spiritual weight of the story. On GOOD: The Examination of an Accused Witch, we were telling a somber, historical drama about wrongful accusation, faith, suffering, and redemption, and James immediately understood..."
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Xavier @ Mount Harvest
Apr 22, 2026
"We hired Mr. Rafael Vargas to handle advertising campaigns and compose music for a consulting project for a company in France. The work was outstanding. He is a very talented and highly disciplined individual."
Luis @ Luis Fernando Vargas Consultoría
Apr 21, 2026
"Peter Goroyan is an outstanding sound designer for apps, with a sharp ear for detail and a deep understanding of user experience. He creates clean, intuitive, and engaging audio that enhances interaction without overwhelming it. Professional, creative, and reliable, Peter consistently delivers high-quality sound that..."
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Yana @ Helys
Apr 11, 2026
"Working with Twine enabled us to scale projects quicker than before and the Twine Business makes it so easy to manage and pay contractors over the world."
Josh Bolland - CEO, JB Cole
-Josh Bolland
CEO, J B Cole
"I found an amazing designer and she's fast. I now send her my ideas and she transforms them into great design. The collaboration is fast, professional and easy. It feels like she is already part of our team."
Achim Kohli - CEO, Legal-i
-Achim Kohli
CEO, Legal-i
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Clients Rate Twine Sound Editors

4.97

/ 5.0

on average across

405
405

reviews as of May 14, 2026

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From the blog

Frequently Asked Questions

What does a Sound Editor do?

A Sound Editor is responsible for manipulating and enhancing audio tracks to achieve the desired sound quality for films, television shows, video games, and other media productions. Their tasks typically include:

  • Editing dialogue to ensure clarity and continuity.
  • Adding sound effects and Foley to create an immersive experience.
  • Mixing audio tracks to balance sound levels and enhance the overall quality.
  • Collaborating with directors and producers to meet creative vision.

Sound Editors play a crucial role in the post-production process, ensuring that the auditory elements complement the visual storytelling effectively.

How to Hire a Sound Editor in Austin, US?

To hire a Sound Editor in Austin, US, start by identifying your project requirements, such as the type of media, specific skills needed, and budget constraints. Utilize platforms like Twine to post your job listing, making sure to provide detailed information on your project. This helps potential candidates understand your needs better. Additionally, consider reaching out to local production companies or attending networking events to meet professionals in the field. Be clear about your timeline and expectations to attract the right talent.

How much does it cost to hire a Sound Editor in Austin, US?

The cost to hire a Sound Editor in Austin, US varies based on experience levels:

  • Beginner: $25 - $40 per hour
  • Junior: $40 - $60 per hour
  • Mid-level (industry average): $60 - $80 per hour
  • Senior: $80 - $100 per hour
  • Expert: $100+ per hour

These rates can fluctuate depending on the project's complexity and the editor's expertise. Always discuss rates upfront to ensure alignment.

What qualities set exceptional Sound Editors apart from the rest?

Exceptional Sound Editors possess a unique blend of technical skills and artistic sensibility. Key qualities include:

  • Attention to detail, ensuring every sound is perfectly aligned.
  • Creativity, allowing them to innovate and enhance audio experiences.
  • Strong communication skills for effective collaboration with directors and producers.
  • Proficiency in various audio editing software and tools.
  • Adaptability to different genres and styles, catering to diverse project needs.

These attributes enable top Sound Editors to elevate the overall quality of audio in any production.

How do you recognize the perfect Sound Editor in Austin, US for your needs?

To recognize the perfect Sound Editor in Austin, assess their portfolio for relevant experience and style. Look for projects similar to yours to gauge their capability. Additionally, consider conducting interviews to evaluate their understanding of your vision and their communication skills. References and reviews from previous clients can provide insights into their reliability and professionalism. Lastly, trust your instincts; a good rapport can enhance the collaborative process significantly.

What are the key questions to ask in a Sound Editor interview?

During the interview process for a Sound Editor, consider asking the following key questions:

  • What is your experience with projects similar to mine?
  • Can you describe your editing process from start to finish?
  • How do you handle feedback and revisions?
  • What software and tools do you typically use?
  • How do you ensure audio quality and consistency throughout a project?

These questions can help you gauge their expertise and determine if they are a suitable fit for your project.

What’s the difference between hiring a freelance Sound Editor and working with an agency in Austin, US?

Hiring a freelance Sound Editor offers flexibility, direct communication, and often lower costs compared to working with an agency. Freelancers typically have diverse portfolios and can adapt quickly to your project's needs. In contrast, agencies may provide a team of professionals with varied expertise and established processes, ensuring consistency and reliability across larger projects. However, agencies may come with higher fees and less personalized service. Consider your project's scale and specific requirements when making a choice.

What should be in a Sound Editor project brief/job description?

A well-defined project brief for a Sound Editor should include:

  • Project overview: Describe the media type and objective.
  • Specific tasks: Outline editing, mixing, and sound design requirements.
  • Timeline: Provide deadlines for each phase of the project.
  • Budget: State your budget range to attract suitable candidates.
  • Preferred skills: Mention any specific software or experience required.

Clear expectations help attract the right talent and streamline the hiring process.

How do I hire a Sound Editor in Austin, US on Twine?

Hiring on Twine is simple.

  1. Post a job with your project details, timeline, and budget.
  2. Browse portfolios of vetted Sound Editors and invite those who match your needs.
  3. Receive proposals and compare experience, pricing, and reviews.
  4. Communicate expectations, set milestones, and finalize the hire.
  5. Securely pay through Twine, ensuring protection for both parties. Twine connects you with top freelance Sound Editors, making it easy to find the perfect creative professional for your project.

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