Passionate about all things audio! Hi, I'm Brittany Rourke, a music and sound design graduate with a strong background in radio and podcasting. I love combining my sk...
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Passionate about all things audio! Hi, I'm Brittany Rourke, a music and sound design graduate with a strong background in radio and podcasting. I love combining my sk...
See MoreI am a Melbourne-based composer who creates immersive music for video games and podcasts. Recently, I have worked on game titles AETHUS (2026), Subdivision (2026), Saucer...
See MoreI’m an audio producer and editor specialising in podcasts, interviews, explainers and other dialogue-driven content for broadcast and digital platforms. I currently wo...
See MoreI’m an experienced podcast editor and sound professional who’s created shows from the ground up, working across advertising, radio, and TV broadcast. Highlights include ...
See MoreHi, I'm Adrian Barac. I'm a Sydney-based film and video editor with over a decade of experience shaping documentary and promotional content. I blend technical editing ski...
See MoreDamian Moloney is an Australian composer and sound designer specializing in interactive audio for art installations, theatre, video games, and digital art projects. Opera...
See MoreI'm Thomas Crandles, a Sydney-based audio engineer, sound designer and music producer with 18 years of hands-on experience across studio, live and post-production.
See MoreI’m Juan Manosalva, a composer, music producer, and audio engineer with a passion for turning ideas into polished, impactful recordings. With classical piano training and...
See MoreI'm a film director, video editor and voice artist from Turkey living in Australia. I've been working in many different type of projects that helped me improve my work...
See MoreI am a Music Producer and Audio & Mixing Engineer based in Perth Western Australia. I have completed my Bachelor of Audio degree at SAE in 2022. I have been producing...
See MoreI am a filmmaker and creative content editor with a passion for storytelling through film and video. I specialize in editing, color correction, sound, and visual effects,...
See MoreMy creative life started at sea. Raised in South Africa, I spent my early teenage years sailing to New Zealand on a yacht my dad built, and it was there, at art school, t...
See MoreWe have over 14,500 Sound Editors who've worked in many different industries and cover various styles and skillsets.
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Reviews
“Opeyemi was great to work with, she delivered our full product line in under a week with zero revisions needed. Communication was fast and final, cut to match our brand”
Kimberly @ Marketing Lead at Northbridge Retail
Jul 22, 2026
“Excelentes arreglos musicales, Mucha creatividad y sobre todo mucho profesionalismo, altamente recomendable. Gracias a su colaboración mis composiciones las subiré a todas las plataformas musicales.”
Felipe @ Cantante independiente
Jul 16, 2026
“you can just copy n past this: Over the last 5 years, I’ve had the absolute pleasure of working with Tom Crandles on my solo EP Paradise Lost and my upcoming album. Tom has been the mixer, recording engineer, and producer throughout this process, as well as a supportive co-writer on several tracks. He has also...”
Aleesha @ Aleesha Dibbs
Jul 3, 2026
“As Founder of Tindakan, I contracted Marc to produce, film, score, and edit a Call to Action film featuring Dr. Jane Goodall for Global Coffee Solution, a project for which Tindakan serves as a strategic partner. From our very first conversations through the final delivery, Marc consistently demonstrated an exceptional...”
Jeremy @ Tindakan
Jun 22, 2026
“Ajibola Olaniyi was a delight to work with. Asides from his exceptional talent creating music, he has a great attitude and a penchant for getting things done well.”
Tade @ Gazuntype
Jun 16, 2026
“We’ve had the pleasure of working with Vlad on numerous wedding films for over 10 years now, and he continues to impress us with his creativity, efficiency, and attention to detail. He has a true talent for storytelling and knows how to take hours of footage and craft it into a cinematic film that captures the emotion and...”
Milton @ Milton Gil Photographers
Jun 12, 2026

Clients Rate Twine Sound Editors 4.97 / 5.0
on average across 400400 reviews
3–5 minutes. Tell us about your project, your timeline, and how you want experts to contact you.
Within 24 hours, you'll see a shortlist of vetted Sound Editors matched to your project.
Flexible payments on your terms, bill experts directly or use the Twine vault for added security.
Transparent rates, no hidden markup, and a payment path for every need.
Agencies bury a 20–40% markup inside the retainer, you never see it. On Twine, you set the price and you see the platform fee as a separate, explicit line. No surprises at checkout.
Prefer your own payment flow? Pay your expert outside Twine, incurring no commission fees. Most useful for ongoing or trusted relationships.
Funds are held in escrow and only released when you approve the deliverables. If the work isn't right, your money doesn't move. 10% commission on payments up to $10,000, just 5% on anything above.
Pick the role, the experience level and how long you need. We’ll show you what similar projects have cost on Twine. It’s a guide, not a quote.
Estimates only. Actual budget is set by you and agreed with your expert before any work begins.
ESTIMATED RANGE
A$6,700 – A$18,000
Full possible range for a mid-level Sound Editor over 2–4 weeks
Common questions answered before you post a project.
A Sound Editor is responsible for manipulating and enhancing audio tracks for various media formats, including film, television, and video games. Their primary duties include editing dialogue, sound effects, and music to create a cohesive and immersive audio experience. Sound Editors work closely with directors and producers to ensure that the audio matches the vision of the project. They may also be involved in sound design, mixing, and mastering processes to produce the final audio output. Key skills include proficiency in audio editing software, attention to detail, and a good ear for sound quality.
Exceptional Sound Editors possess a combination of technical skills and creative vision. They are proficient in various audio editing software and have a strong understanding of sound design principles. Key qualities include:
These qualities help them deliver exceptional audio that elevates the final product.
Typical day rates for Sound Editors in Australia vary by experience level:
These are indicative ranges based on Twine project data. Final budgets depend on project scope and are agreed directly with your freelancer.
To recognize the perfect Sound Editor for your project, begin by reviewing their portfolio and previous work to assess their style and expertise. Look for editors who have experience in your specific genre or media type. During interviews, ask about their creative process and how they approach sound design. It's crucial to establish clear communication; a good editor should be able to articulate their ideas and understand your vision. Lastly, check reviews and testimonials from previous clients to gauge their reliability and professionalism.
During a Sound Editor interview, consider asking the following key questions:
These questions help you understand their expertise and ensure they align with your project needs.
To hire a Sound Editor in Australia, start by defining your project requirements, including the type of audio work needed and the timeline. You can use online platforms like Twine to find skilled freelancers. Post your job with detailed descriptions and specific qualifications you seek. Additionally, leverage your professional network and online communities to seek recommendations. Review portfolios to gauge the editors’ expertise and style. Once you shortlist candidates, conduct interviews to assess their skills and compatibility with your project goals.
Hiring a freelance Sound Editor offers flexibility, direct communication, and often lower costs compared to agencies. Freelancers can provide personalized services tailored to your specific project needs, allowing for a closer working relationship. In contrast, agencies typically offer a broader range of services and have multiple editors, which can be beneficial for larger projects requiring diverse skills. However, agencies may charge higher fees and involve more bureaucracy. Ultimately, the choice depends on your project's scope, budget, and desired level of collaboration.
A comprehensive project brief for a Sound Editor should include:
This clarity helps attract suitable candidates and ensures alignment from the start.
Hiring on Twine is simple.
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